{"key":"E","suffix":"m/B","position":0,"nextKey":"D","nextSuffix":"major","description":"A somber second-inversion chord that adds a hollow, suspended feel to the E minor tonality, perfect for folk fingerpicking and brooding transitions.","progression":{"chords":[{"key":"E","suffix":"m/B","display":"Em/B","roman":"iii"},{"key":"A","suffix":"minor","display":"Am","roman":"vi"},{"key":"C","suffix":"/G","display":"C/G","roman":"I"}],"genre":"Rock"},"top_songs":[{"number":1,"title":"Behind Blue Eyes","artist":"The Who","description":"Pete Townshend uses the Em/B in the opening arpeggiated sequence of this classic. By emphasizing the B bass note within the E minor shape, he creates a sense of fragility and tension that defines the song's intro before the more aggressive sections take over.","amazonLink":"4vjwasm"},{"number":2,"title":"Hurt","artist":"Johnny Cash","description":"In this haunting cover, the Em/B chord helps create the stripped-back, melancholic foundation of the verses. The B in the bass provides a subtle shift in gravity compared to a standard root-position chord, perfectly mirroring the song's themes of regret and emotional weight.","amazonLink":"4nW7gMW"},{"number":3,"title":"Space Oddity","artist":"David Bowie","description":"In the opening of this epic track, the transition between E minor and C major often utilizes the B bass note to create a smooth, descending melodic line. This inversion adds a sense of floating instability that matches the song's lyrical themes of isolation in space.","amazonLink":"4fifPzp"}],"positions":[{"frets":[-1,2,2,0,0,0],"fingers":[0,1,2,0,0,0],"baseFret":1,"barres":[],"midi":[47,52,55,59,64]},{"frets":[-1,2,2,0,0,3],"fingers":[0,1,2,0,0,3],"baseFret":1,"barres":[],"midi":[47,52,55,59,67]},{"frets":[-1,2,2,4,0,3],"fingers":[0,1,2,4,0,3],"baseFret":1,"barres":[],"midi":[47,52,59,59,67]},{"frets":[-1,1,1,3,4,2],"fingers":[0,1,1,3,4,2],"barres":[1],"capo":true,"baseFret":2,"midi":[47,52,59,64,67]}]}