{"key":"D","suffix":"m/A","position":0,"nextKey":"A","nextSuffix":"major","description":"A melancholic and haunting inversion, the Dm/A adds a somber, driving bass note to the D minor triad, perfect for dark folk and moody rock progressions.","progression":{"chords":[{"key":"D","suffix":"m/A","display":"Dm/A","roman":"bvii"},{"key":"E","suffix":"m/B","display":"Em/B","roman":"i"},{"key":"E","suffix":"minor","display":"Em","roman":"i"}],"genre":"Pop"},"top_songs":[{"number":1,"title":"Yesterday","artist":"The Beatles","description":"Paul McCartney uses the Dm/A inversion during the descending bass line in the verse. Following the Dm and Dm/C, the Dm/A provides a smooth transition to the Gm chord, creating that iconic melancholy movement that defines the song's harmonic structure.","amazonLink":"4dZ46DL"},{"number":2,"title":"Wild World","artist":"Cat Stevens","description":"In this folk-rock classic, the Dm/A is often used in the chorus during the transition between the F and E chords. By playing the D minor chord with an A in the bass, Stevens creates a smooth scalar transition that emphasizes the song's driving rhythm and melancholic lyrical themes.","amazonLink":"49YwpAQ"},{"number":3,"title":"The Man Who Sold the World","artist":"Nirvana","description":"In the iconic MTV Unplugged performance, the Dm/A is used during the haunting verse progression. By keeping the A string ringing as the lowest note, the band creates a heavier, more somber atmosphere that emphasizes the grunge-folk aesthetic of the cover.","amazonLink":"4ahlVfW"}],"positions":[{"frets":[-1,0,0,2,3,1],"fingers":[0,0,0,2,3,1],"baseFret":1,"barres":[],"midi":[45,50,57,62,65]},{"frets":[-1,0,3,2,3,1],"fingers":[0,0,3,2,4,1],"baseFret":1,"barres":[],"midi":[45,53,57,62,65]},{"frets":[-1,0,3,3,2,1],"fingers":[0,0,3,4,2,1],"baseFret":5,"barres":[],"midi":[45,57,62,65,69]},{"frets":[1,1,3,3,2,1],"fingers":[1,1,3,4,2,1],"barres":[1],"capo":true,"baseFret":5,"midi":[45,50,57,62,65,69]}]}