{"key":"C","suffix":"/B","position":0,"nextKey":"C","nextSuffix":"major","description":"A haunting suspended sound, C over B creates tension and release. Often used in introspective songs, adding depth and complexity.","progression":{"chords":[{"key":"C","suffix":"/B","display":"C/B","roman":"I"},{"key":"A","suffix":"minor","display":"Am","roman":"vi"},{"key":"F","suffix":"major","display":"F","roman":"IV"}],"genre":"Country"},"top_songs":[{"number":1,"title":"Say Yes","artist":"Elliott Smith","description":"C/B adds a melancholic color. It resolves to C, a move common in Elliott Smith's style. The chord helps create a sense of longing and vulnerability.","amazonLink":"4nO9k92"},{"number":2,"title":"Teardrop","artist":"Massive Attack","description":"While not a traditional guitar song, some arrangements use a C/B-like voicing on keys or samples to achieve its suspended and unresolved feel, contributing to the song's haunting atmosphere.","amazonLink":"4nXeCyX"},{"number":3,"title":"Hallelujah","artist":"Leonard Cohen","description":"Some interpretations of \"Hallelujah\" incorporate voicings that approximate a C/B sound. The chord is used to create a shifting harmonic landscape, reflecting the song's complex themes.","amazonLink":"3L5kRC6"}],"positions":[{"frets":[-1,2,2,0,1,0],"fingers":[0,2,3,0,1,0],"baseFret":1,"barres":[],"midi":[47,52,55,60,64]},{"frets":[-1,2,2,0,1,3],"fingers":[0,2,3,0,1,4],"baseFret":1,"barres":[],"midi":[47,52,55,60,67]},{"frets":[3,3,1,1,1,4],"fingers":[2,3,1,1,1,4],"barres":[1],"capo":true,"baseFret":5,"midi":[47,52,55,60,64,72]},{"frets":[3,3,1,1,4,4],"fingers":[2,3,1,1,4,4],"barres":[1],"capo":true,"baseFret":5,"midi":[47,52,55,60,67,72]}]}