{"key":"C","suffix":"m7","position":2,"nextKey":"F","nextSuffix":"7","description":"Mellow and jazzy, C minor 7th adds a smooth, sophisticated color. Commonly used in blues, jazz, and soul progressions, creating a melancholic yet elegant vibe.","youtube_short":"xq2O0-VeHxE","progression":{"chords":[{"key":"C","suffix":"m7","display":"Cm7","roman":"ii"},{"key":"F","suffix":"7","display":"F7","roman":"V"},{"key":"Bb","suffix":"maj7","display":"Bbmaj7","roman":"I"}],"genre":"Jazz"},"top_songs":[{"number":1,"title":"So What","artist":"Miles Davis","description":"While primarily a modal jazz piece and not a traditional 'song' with verses and choruses, the C minor 7th is central to the *So What* chord progression, defining its haunting and spacious character. It is used in the A section of the AABA format.","amazonLink":"475pTqV"},{"number":2,"title":"On Broadway","artist":"George Benson","description":"Benson's smooth guitar work frequently uses C minor 7 as a passing chord, adding color to the rhythm and lead. It's a great example of how to use this chord to spice up a bluesy tune and create movement.","amazonLink":"48fy2Kp"},{"number":3,"title":"Fly Me to the Moon","artist":"Frank Sinatra","description":"Commonly appears in jazz standards like Fly Me To The Moon. C minor 7 creates harmonic color within the main progression, making it richer. It's often used as a ii chord in relation to Bb major.","amazonLink":"3KAAxx1"}],"positions":[{"frets":[1,-1,1,1,1,-1],"fingers":[2,0,3,3,3,0],"baseFret":8,"barres":[],"midi":[48,58,63,67]},{"frets":[-1,3,1,3,4,-1],"fingers":[0,2,1,3,4,0],"baseFret":1,"barres":[],"midi":[48,51,58,63]},{"frets":[1,1,3,1,2,1],"fingers":[1,1,3,1,2,1],"barres":[1],"capo":true,"baseFret":3,"midi":[43,48,55,58,63,67]},{"frets":[-1,-1,2,2,1,3],"fingers":[0,0,2,3,1,4],"baseFret":4,"barres":[],"midi":[55,60,63,70]},{"frets":[1,3,1,1,1,1],"fingers":[1,3,1,1,1,1],"barres":[1],"capo":true,"baseFret":8,"midi":[48,55,58,63,67,72]}]}