{"key":"B","suffix":"m/F#","position":0,"nextKey":"B","nextSuffix":"minor","description":"A hauntingly grounded inversion of B minor, adding a low, resonant F# bass that provides a somber, cinematic depth to acoustic ballads and rock transitions.","progression":{"chords":[{"key":"B","suffix":"m/F#","display":"Bm/F#","roman":"i"},{"key":"G","suffix":"major","display":"G","roman":"VI"},{"key":"A","suffix":"major","display":"A","roman":"VII"}],"genre":"Rock"},"top_songs":[{"number":1,"title":"Hotel California","artist":"Eagles","description":"The Bm/F# is frequently used in the iconic intro and verse progression. By keeping the F# in the bass, the transition to the subsequent F#7 chord feels more fluid and grounded, establishing the song's dark, Spanish-influenced atmosphere.","amazonLink":"4sgWam6"},{"number":2,"title":"Wild Horses","artist":"The Rolling Stones","description":"The Bm/F# chord is utilized during the chorus to create a melodic, descending bass line. This specific voicing allows for a smoother transition between the G major and B minor chords, adding to the song's signature melancholic and soulful country-rock sound.","amazonLink":"3Q8F7Fz"},{"number":3,"title":"The Man Who Sold The World","artist":"Nirvana","description":"During the bridge and verse transitions of this MTV Unplugged performance, the Bm/F# provides a thick, melancholic texture. The inversion emphasizes the low-end frequencies, which helps fill the sonic space in the absence of a distorted electric guitar, grounding the song's eerie and iconic melody.","amazonLink":"3PWSGrC"}],"positions":[{"frets":[2,2,4,4,3,2],"fingers":[1,1,3,4,2,1],"barres":[2],"capo":true,"baseFret":1,"midi":[42,47,54,59,62,66]},{"frets":[-1,-1,4,4,3,2],"fingers":[0,0,3,4,2,1],"baseFret":1,"barres":[],"midi":[54,59,62,66]},{"frets":[-1,-1,1,4,4,4],"fingers":[0,0,1,4,4,4],"barres":[4],"baseFret":4,"midi":[54,62,66,71]},{"frets":[-1,3,3,1,1,1],"fingers":[0,3,4,1,1,1],"barres":[1],"capo":true,"baseFret":7,"midi":[54,59,62,66,71]}]}